Judaism / The Man Who Never Saw the Land
Part Four: The Wilderness
The Law
The law is given at Sinai, and the story does not give it as an afterthought or an appendix to the dramatic events. It is given at the peak of the revelation, in the same chapter that gives the fire and the trumpet and the limit drawn around the mountain. To read the law as something that comes later or as a codification that follows the story is to misread the shape of the narrative. In the story's own order, the covenant and the law are a single movement.
That fact is one of the reasons the book has lasted. The law is not a side note in the Moses story. It is central to it. And the law, as it is given in the biblical text, does not arrive as an invention. It arrives as a reorientation of a form the world already knew.
The world knew law. Egypt was a world of decrees, and Mesopotamia was a world of law codes, and the great codes of Hammurabi and others were well known in the broad region the story moves through. It would be strange if a people emerging from Egypt and settling in Canaan had no law of their own, and it would be stranger still if the biblical text did not take account of the legal world around it. What the biblical text does is to take law and to give it a different shape — a shape that belongs to a covenant, to a community, to a relationship with a God who has just delivered them from slavery.
The chapter has three parts. First, the world of law in the ancient Near East, the legal forms that the story inherits and answers. Second, the Ten Commandments and the covenant code, what they actually did in a world of god-kings, and where Israel deliberately differs. Third, the fracture between the law as it was given and the law as it was kept — the gap that runs from Sinai to the present, and what the story makes of it.
The law of the ancient Near East is not a single thing, and the story does not respond to it as a single thing. There are several forms, and the biblical law draws on more than one of them.
The temple and the palace were the great legal institutions. In Egypt, the law was the decree of the pharaoh, and the pharaoh was himself the son of a god, the living image of divine order, Ma'at. The law was not a contract. It was the will of the ruler mediated through the institutions of the state. The vizier and the provincial officials and the temple scribes administered it, and the law reached down to the daily life of the people in the form of court decisions, administrative records, and the occasional royal decree. The law was hierarchical, and it was centralised, and it was the law of empire.
In Mesopotamia, the situation was different in form, but not in principle. Hammurabi's code, and the earlier codes of Ur-Nammu and Lipit-Ishtar, and the later Middle Assyrian laws, all present law as the gift of a king to his people, and the king in turn receives it from the gods. The prologue of Hammurabi's code names the gods who have given the king authority, and the epilogue calls the king the servant of the gods who has established justice. The law is royal, and it is justified by the gods, and it is addressed to the people as a gift and a standard. It is not a contract between a people and a god. It is a law code promulgated by a king in the service of the gods.
What these forms share is the centrality of the ruler and the direction of the law downward. The law comes from the top, whether that top is the pharaoh or the king or the god behind the king. The people receive it, and they live under it, and the institutions of the ruler enforce it. The law is not, in its form, something the people have made. It is something the ruler has given.
The covenant at Sinai differs from this in a way that is structural and deliberate. The law is given to a people, not to a kingdom. The law is framed by a covenant, not by a decree. The covenant is between a God and the people, and the people are addressed as a community. The law is not the gift of a king. It is the word of a God who has already acted for the people, and the law is the shape of the life that community is to live after the deliverance.
The difference is not that the biblical law has no parallels with the surrounding law. It has many. The law codes of the ancient Near East and the covenant code of Exodus share a world and a vocabulary. They deal with similar cases, and their forms overlap in detail. A reader who knows the law codes of Mesopotamia will find echoes of them in the covenant code, and the echoes are not accidental. The book has learned from its world. What it has done is to put the law into a covenant form, and to make the covenant a relationship between a God and a people, and to reorient the law away from the decree of a ruler and toward the obligations of a community in a relationship of deliverance.
That reorientation is one of the most important things about the law in the Moses story. The law is not just a law. It is the law of a people who were slaves, and it is structured around the memory of that slavery and the fact of that liberation. The commands to treat the stranger, the slave, the fatherless, and the widow with justice are not general moral platitudes. They are written into the law, and they are repeated, and they are tied to the memory of Egypt. The people are to love the stranger, because they were strangers in Egypt. The law is shaped by the Exodus, and the Exodus is written into the law.
The Ten Commandments are the centrepiece of the law in the popular mind, and they deserve to be read carefully rather than mythologised. They are not the whole of the law. They are the opening of the law, the public core, the part given in direct speech and remembered as the summary. They are also the part of the law that has travelled the furthest outside its original context, into the moral imagination of the world. The chapter should treat them at their size: as the introduction the story gives to the life of the covenant.
The first several commandments are about relationship to God. No other gods. No images. The name not taken in vain. The Sabbath kept. They are vertical commands, in the sense that they frame the relationship between the people and the God who has made the covenant with them. They are also, and this is important, commands that distinguish Israel from the world around it. No other gods — in a world where each nation had its god and the presence of other gods was normal. No images — in a world where representation of the divine was common and often central. The name not taken in vain — a command about the proper use of the covenant relationship. The Sabbath — a day kept, a rhythm given to the week, a sign of the covenant. These commands make a community. They mark it off. They are not just moral generalities.
The later commandments are about relationship to neighbour. Honour parents. No murder. No adultery. No theft. No false witness. No coveting. They are horizontal commands, and they are the commands that govern the life of the community between its members. They are not new in their content. Murder, theft, adultery, false witness, and the others are forbidden in the law codes of the ancient Near East and in the moral intuitions of almost any community. What the commandments do is to place these commands in the covenant context, to make them the obligations of a people in relationship with God, and to give them the authority of that relationship.
The form of the ten is itself important. They are given in the first person, in the voice of the God who has spoken from the mountain. They are short. They are memorable. They are the part of the law that can be recited. They are the law's public face.
The covenant code that follows in Exodus 21–23 is the law in its broader form. It deals with specific cases: the slave who serves for six years and goes out free in the seventh, the maidservant who is not given her freedom, the man who strikes his father or mother, the man who kills another in hostility, the man who strikes his neighbour and the compensation that follows, the ox that gores, the pit that is open, the animal that is borrowed and damaged. The code reads, in part, like a collection of judgments. It is the law in its practical texture.
The covenant code also contains the commands that are most distinctively tied to the Exodus memory: the treatment of the stranger, the slave, the fatherless, the widow; the command not to oppress the stranger, because the people were strangers in Egypt; the command to release the slave in the seventh year; the command that the land keep its Sabbaths, because the land belongs to God and the people are sojourners in it. These commands are the law's signature, and they are the commands that tie the law to the story of the deliverance.
The law as it was given and the law as it was kept are different things, and the story knows the difference. The law at Sinai is given in the presence and the fear. The people agree to it. The covenant is ratified. Then the story goes on, and the people do not keep the law. The golden calf happens in the chapter after the law is given. The complaints happen. The mutinies happen. The forty years happen. The law is given, and the people do not live by it, and the story does not pretend otherwise.
That gap is one of the steadiest facts of the Moses story, and it is one of the things that makes the story honest in a way that a simpler story would not be. The law is not presented as a code that the people will keep because they have agreed to it. It is presented as a standard that they will fail to meet, and a standard that will nevertheless govern them, and a standard that will be mediated through a system that includes the tabernacle, the priesthood, the sacrifices, and the continued mediation of Moses. The law is given as the covenant's shape, and the covenant is lived as a struggle.
The gap between the law and the practice is not a flaw in the story. It is a feature of it, and it is one of the reasons the law has lasted in the form it has. The law is not a fantasy of a people who were perfectly obedient. It is the law of a people who were not, and who are held to the standard anyway. The story does not present the law as a law that was kept. It presents it as a law that was given, and a law that was the measure of a people who were falling short of it, and a law that was mediated, and a law that was renewed.
That framing is one of the most important things to say about the law, because it is the thing that distinguishes the biblical law from the fantasy of a perfect community that some readers expect when they imagine what a law-giving story would be. The story does not give that. It gives the law, the covenant, the failure, the mediation, and the continuation. The law is not the end of the story. It is the beginning of the wilderness.
The chapter is, then, about three things. The world of law in the ancient Near East, and the forms the biblical law inherits and reorients. The Ten Commandments and the covenant code, as the law of a community in covenant, with the specific commands that tie the law to the memory of Egypt. And the gap between the law as it was given and the law as it was kept, the gap that runs from Sinai and shapes the rest of the story.
The law is not an appendix to the Moses story. It is central to it. The law is given at the peak of the revelation, and it is given in a form that answers the world around it and reorients it toward a covenant between a God and a people. The law is tied to the Exodus, and it is the law of a community that was delivered from slavery. The law is given, and the people do not keep it, and the story does not pretend that they do. The law is the shape of the covenant, and the covenant is lived as a struggle, and the law remains the measure of that struggle.
That is what the chapter is for: to give the law its size, to explain what it did in its world, and to show that it is not an afterthought but the heart of the story's argument about what a people in covenant with God are and what they are to do, and what happens when they do not do it.
The Golden Calf
The story of the golden calf is one of the most compressed and most telling sequences in the whole narrative. It happens after the law is given and before the law is kept, in the gap between the covenant and the practice, and it is all the more devastating for how quickly it arrives. The people have heard the voice from the mountain. They have agreed to the covenant. Moses has gone up. And in the forty days he is gone, they collapse.
The chapter is about four things: the collapse itself, the sound of the collapse, the response of Moses, and the reason the tradition kept the fact that it collapsed at all. Each of these belongs to a different argument about what the story is doing, and together they give the chapter its shape.
The collapse is introduced in Exodus 32 with a detail that is almost offhand but is one of the most important in the story: the people come to Aaron and say, "Make for us gods who shall go before us, for this Moses, the man who brought us up out of the land of Egypt, we do not know what has become of him." The line does two things at once. It names the problem — Moses is gone, and the people have no idea where he is or when he will come back — and it names the impulse — the people want a god that they can see, a presence that is not in the cloud on the mountain, a leader they can follow without waiting.
The request is not just for an idol. It is for a replacement for the leadership they have lost, and it is for a visible god because the invisible God has not yet proven reliable to them. The people are at a moment of absence, and they fill the absence with something they can make.
Aaron's response is one of the flat and unheroic things in the story. He tells them to bring their gold, and he makes the calf, and he builds an altar, and he announces a feast, and the people sit down to eat and drink and rise up to play. The sequence is quick, and it is all the more unsettling for its speed. The covenant was ratified days before. The law has just been given. And the people, led by the man who is the vicar of Moses, have already moved to a different religion.
The phrase "rose up to play" is one of those phrases that carries more than it seems. In the biblical text it is ambiguous — it could mean revelry, it could mean sexual licence, it could mean simply celebration. What it means for the story is that the boundary that was established at Sinai has been crossed, that the day that was meant to be holy has become profane, that the people have done exactly what they were told not to do.
The collapse is total, and it is total in a way that is hard to explain if the story is about people who are easily tempted. It is not about temptation. It is about the fragility of a covenant made by a people who are not yet ready for it.
The second thing the chapter should say is about the sound of the collapse, and here Exodus gives us one of the great moments of dramatic tension in the Hebrew Bible: Moses coming down the mountain with the tablets, the tablets in his hand, and the sound of the people in his ears, and the moment when he sees what has been done.
The text says that Moses saw the calf and the dancing, and his anger was kindled, and he threw the tablets from his hands and broke them beneath the mountain. The breaking of the tablets is the single most shocking physical act in the law story, and it is made more shocking by the fact that Moses has only just come down the mountain with them. The law is broken in the moment it is received, and the breaking is not an accident. It is an act.
Why does Moses break the tablets? The simplest and best answer is that he breaks them because the covenant has already been broken by the people. The tablets are the deposit of the covenant, the written form of the stipulations, and if the people have violated the covenant before the tablets have even been read, then the tablets no longer represent a covenant that is in force. Breaking them is the dramatic equivalent of saying that the agreement is void. The law is not thrown away. It is broken because the covenant is broken.
The act is also Moses' moment of maximum authority, and it is one of the few moments in the story where the leader's rage is absolutely unmediated. The anger is kindled. The tablets are broken. The calf is burned, ground, scattered on the water, and given to the people to drink. The action is swift, decisive, and exact. The calf is destroyed. The feast is ended. The people are confronted.
The sequence does not end with the destruction of the calf. It ends with the reckoning. Moses stands at the gate of the camp and says, "Whoever is for the LORD, let him come to me." The sons of Levi come to him. Moses tells them to consecrate themselves and to pass through the camp with the sword, and about three thousand men of the people fall. The violence is not the main point of the story, but it is not invisible either. The covenant, when it is restored, is restored through judgment, and the judgment is severe.
What is worth saying about the violence is that it is presented as the immediate and almost automatic consequence of the breach. The people have violated the covenant, and the restoration costs. The number — three thousand — is specific and shocking, and the story does not soften it. The violence is part of the price of the restoration, and the price is high.
The third part of the chapter is Moses' intercession, and it is one of the most important things about the whole Moses story. After the destruction of the calf and the killing of the three thousand, Moses returns to the mountain a second time, and he prays for the people, and he makes the argument that defines his leadership.
The argument is famous, and it should be quoted rather than summarised. Moses says to the LORD: "Oh, this people has sinned a great sin. They have made gods of gold for themselves. Yet now, if you will forgive their sin — and if not, blot me, I pray, out of your book that you have written." The plea is for the people, and it is also for himself: if you will not forgive them, then take me instead.
The argument is remarkable for what it is and for who makes it. Moses, the man who has just broken the tablets and killed the offenders, now stands up for the people he has just judged. He does not say that the sin was small. He says that it was great. He does not say that the people deserve forgiveness. He asks for it. And he offers himself as the substitute.
This is the moment where the portrait of Moses is most fully drawn. He is angry, and he judges, and he is decisive. He is also the intercessor, the man who stands between the people and the anger of God, the man who has learned, in the course of the wilderness, that leadership is not triumph but endurance and that the leader's job is to stay with the people even when they fail.
The intercession is answered in a form that is both merciful and severe. God says that the sin will be visited, and that the angel will go before the people, but that the plague will be sent because of the calf. The covenant is not restored as if nothing happened. It is restored with the memory of what happened written into it.
The fourth part of the chapter is the hardest and the most interesting: why the tradition kept the story of the golden calf at all. A book that was written to make Moses look good would not have included it, or would have softened it, or would have blamed everyone but the people. The story as it stands does the opposite. It says that the people, the very people who were delivered from Egypt, made the calf, and that the vicar who was left in charge joined them, and that the covenant was broken before it had hardly begun.
The story is kept because the tradition is honest about the people, and honest about the law, and honest about the covenant. The law is given, and the people do not keep it, and the story does not pretend that they do. The failure is part of the story, and it is not an embarrassment that the tradition forgot. It is central.
There is also a second reason the story is kept, and it is the reason that belongs to the argument of the whole book. The golden calf story is one of the clearest instances of the kind of thing the book has been tracing: a story that includes its own failures, that reports the collapse of the people as part of the record, and that in doing so becomes more credible as a story about real human beings. A story that only tells the victories is a story that can be suspected of invention. A story that tells the defeats is a story that has something in it that is harder to make up.
The golden calf is not just a story about an idol. It is a story about the fragility of the covenant, about the speed with which a people who have just received the law can violate it, about the leadership that follows the collapse, and about the fact that the tradition remembered the collapse and told it. That is what the chapter is for.
The Loneliest Job
Jethro arrives in Exodus 18, and the chapter that follows is one of the most human pieces of management advice in the entire Bible, and one of the most underrated. It is the chapter where Moses, who has been carrying the people alone, is told to stop, and is told how, and is told by the father-in-law he has been living with in Midian. The chapter is not about a vision or a revelation. It is about delegation, burnout, and the fact that even the man who speaks to God can be overwhelmed by the daily work of leading a crowd.
The chapter belongs to the wilderness story in a way that is easy to miss if the wilderness story is read as a sequence of episodes. It is one of the threads that ties the wilderness together: the sense that the work is too much, that the leader is worn out, that the people are not afraid to complain, and that the leader has to be given something like relief. The chapter is also one of the places where the story is most honest about the character of Moses, and about what leadership costs.
The chapter opens with the news that Jethro has heard about what God has done for Moses and for Israel. He brings Moses' wife and sons, and Moses goes out to meet him, and the two men meet and exchange greetings, and Moses tells his father-in-law everything that the LORD has done to Pharaoh and to the Egyptians and to the people. The scene is warm, and it is the rare moment in the wilderness narrative where the leader is not in the middle of a crisis. He is telling a story.
Then Jethro watches the daily life of the camp, and he sees the people standing around Moses from morning to evening, and he says, "What is this thing that you are doing for the people? Why do you sit alone, and all the people stand around you from morning till evening?" Moses answers with the honest and almost weary explanation that the people come to him to inquire of God, and when they have a dispute they come to him, and he judges between a man and his brother, and he makes them know the statutes of God and his laws.
The answer is complete, and it is the moment where the full weight of the work is laid out. Moses is the priest, the prophet, the lawgiver, and the judge. He is the one who inquires of God. He is the one who hears the disputes. He is the one who applies the law. And the people are coming to him all day, every day, and the work is endless.
Jethro's response is the management advice. He says that the thing is not good, and that Moses will surely wear himself out, and that the people with him will wear out. He then gives the advice in its famous form: listen to this thing that I am advising, and may God be with you. You shall be the representative before God, and you shall bring the cases before God, and you shall teach the people the statutes and the laws, and you shall show them the way they must walk and the work they must do. And you shall choose from among the people able men, such men as fear God, men of truth, hating covetousness, and you shall place them over thousands, hundreds, fifties, and tens, and they shall judge the people at all times. And it shall be that every great matter they shall bring to you, but every small matter they shall judge themselves. And you shall make it easier for yourself, and they shall bear the burden with you.
The advice is specific, practical, and structured. It is not a vague exhortation to share the work. It is a plan: choose able men, put them in tiers, let them handle the small matters, bring the big matters to Moses. The advice is the kind of thing that a manager gives, and it is given by a man who has lived with Moses in the wilderness and who has watched the work.
The chapter is remarkable for the fact that the advice is given by Jethro, who is a priest of Midian and a man of a different religion, and who is not one of the Israelites. The tradition has no difficulty with this. The wisdom comes from outside the camp, and the leader listens, and the work is restructured. The openness is one of the quiet virtues of the story.
The chapter is also about burnout, and the word is not too modern for it. Moses says, in effect, that he has been doing the work alone, and that he has been doing it all day, and that the people are waiting for him. The exhaustion is not stated in the language of modern psychology, but it is there. The leader is worn out, and the leader does not see it until someone else points it out.
That fact — that Moses does not see it until Jethro points it out — is one of the human things about the story. The leader who is closest to the work is the one least able to see its limits. The work has become normal. The normal has become endless. And it takes a visitor, a father-in-law, a man from outside, to say that it cannot go on like this.
The chapter is also about delegation, and the delegation is not just a practical matter. It is the beginning of the institutional structure of the camp, the structure that will make the rest of the wilderness possible. Without the judges, without the tiers, without the relief of the small matters being handled by others, the camp could not function. The burnout would not be relieved. The work would not be done.
The chapter is also about the fact that Moses is not the only leader. The leader is the source of the authority, but the work is distributed. The implication is that Moses is not meant to do everything. His role is the representation before God, the teaching, the big matters. The daily work of judging is shared. The structure is a thing that makes the leadership sustainable.
The chapter has a theological dimension, and it is the dimension that the book should not overlook. The advice is given by a priest of Midian, and the advice is practical, and the advice is obeyed. The openness to wisdom from outside the camp is part of the story's shape. The story does not say that the wisdom of the world is always wrong, or that the leader should only listen to the voice from the mountain. It says that sometimes the wisdom comes from a visitor, and that the leader should listen.
The chapter is also about the fact that the leader is human, and that the human leader can be worn out, and that the human leader needs help. The chapter does not present Moses as invulnerable. It presents him as a man who is doing the work, and who is tired, and who is told how to stop being tired. The fact is one of the most human things in the story.
The chapter is then about four things: the daily work of Moses, the advice of Jethro, the delegation of the work, and the fact that the story is honest about the leader and the work. The chapter belongs to the wilderness as one of the threads that tie it together, and it is one of the places where the story is most human.
The chapter ends with the advice being taken up, and the judges being chosen, and the work being shared, and the leader being relieved. The chapter is small in the grand scheme of the wilderness story, and it is large in the human scheme. It is the chapter where the leader learns that he cannot do it alone, and where the book remembers that learning.
Mutiny
The wilderness story is, in its main line, a story about leadership as endurance rather than triumph. The dramatic moments are not the victories but the failures, the complaints, the mutinies, the moments when the people turn on the man who has led them out of Egypt and the man who has led them through the fire and the sea and the law and the calf. The mutinies are the choral work of the wilderness narrative, and the chapter that follows is one of the most sustained and most honest of them.
The mutiny is set out in Numbers 16, and it is worth reading the chapter at its length because the drama is in the detail. Dathan and Abiram and Korah and the congregation of the rebellion appear, and they challenge Moses and Aaron, and they say that the whole congregation is holy and that the LORD is among them, and that Moses and Aaron have gone too far in taking leadership upon themselves. The challenge is not just a power struggle. It is a theological one, and it is a challenge to the structure of the covenant.
The chapter is about three things: the grounds of the mutiny, the testing of the mutiny by divine action, and the aftermath — the continuation of the leadership and the continued fragility of the camp.
The mutiny is led by Korah, and the text tells us that he is a Levite, a son of Izhar, a son of Kohath, a son of Levi. The detail matters because the challenge comes from within the priestly tribe itself, from a man who is already in a position of religious privilege and who wants more. The mutiny is not a rebellion from outside the structure. It is a rebellion from inside it, and it is a rebellion that uses the language of the structure against the structure.
The text then names the others: Dathan and Abiram, sons of Eliab, sons of Reuben; and On, son of Peleth, son of Reuben. The Reubenites are the firstborn tribe, and the detail of their participation is also significant. The mutiny draws strength from the combination of the priestly family and the firstborn tribe, and the reason is that both have a claim to leadership that has been frustrated by the arrangement of the camp.
The Reubenites are the firstborn, and the firstborn have been bypassed. The Levites have been chosen for the religious service, but the Levites are divided into families, and the Kohathites who carry the most holy things are distinguished from the other Levites, and the priesthood is reserved for Aaron and his sons. Korah is a Levite who wants the priesthood. Dathan and Abiram are Reubenites who want the leadership. The two claims, the religious and the tribal, come together in the mutiny.
The ground of the mutiny is the holiness of the congregation. The rebels say, "You have gone too far! For all the congregation are holy, every one of them, and the LORD is among them. Why then do you exalt yourselves above the congregation of the LORD?" The argument is theological and it is seductive. It says that the holiness is general, and that the distinction of the leaders is a pride. The argument is wrong, and the story knows it is wrong, but it is also powerful, and it is powerful because it names a temptation that is always present in a community: the temptation to abolish the distinction between the leader and the led, the temptation to say that all authority is mere pride.
The challenge is answered not by Moses' eloquence but by the test. Moses says that in the morning the LORD will show who is his, and who is the holy one, and will bring him near to him. And if the rebels die a natural death, then the LORD has not sent Moses. But if the LORD creates a new thing, and the ground opens its mouth and swallows them up, then they have despised the LORD.
The test is extraordinary, and it is one of the most dramatic moments in the wilderness narrative. The ground opens, and Dathan and Abiram and their households go down alive into the pit, and the earth closes over them, and they perish from among the congregation. And fire comes out from the LORD and consumes the two hundred and fifty men who offered incense. The judgment is total, and it is presented as the direct action of the LORD, and it is presented as the answer to the challenge.
The response of the people is the next movement, and it is one of the most troubling in the chapter. The people say, "You have killed the people of the LORD." The mutiny is crushed, and the people then attack the judgment and blame the leaders. The chapter does not flinch from this. The people fail to receive the verdict, and they accuse Moses and Aaron of murder, and the story records the accusation without correcting it.
The plague that follows is the final movement of the chapter, and Moses and Aaron intervene again. Moses tells Aaron to take his censer and make atonement over the congregation, and Aaron runs into the midst of the assembly and stands between the dead and the living, and the plague is stopped. The intercession is the same pattern as the golden calf: the leader stands between the people and the anger, and the people are spared, and the cost of the intervention is borne by the leader.
The chapter is, then, about the mutiny, the test, and the aftermath. The mutiny is grounded in a theological argument that is both wrong and seductive. The test is the ground opening and the fire, the direct action of the LORD that answers the challenge. The aftermath is the people's refusal to accept the verdict and the plague and the intercession.
The chapter is one of the clearest instances of the structure of the wilderness narrative: the challenge, the judgment, the human response, the intervention, the continuation. The leadership is not secure. It is challenged, and it is vindicated, and it is attacked again, and it is sustained again. The pattern is the pattern of the whole wilderness.
The chapter is also about the fact that the mutiny is not an external threat. It comes from within the priestly tribe and the firstborn tribe, from men who have a claim and who want more. The mutiny is the rebellion of the insiders, the rebellion of the privileged who are not satisfied with their privilege. The fact is one of the reasons the story is honest. The people who are closest to the law and the camp and the structure are the ones who challenge it.
His Brother and His Sister
The chapter is about two people and the way the tradition has treated them, and the way it has treated one of them more harshly than the other. Aaron is the brother, the priest, the man who made the calf, and the man who was kept in place despite that. Miriam is the sister, the prophetess, the woman who sang the song of the sea, and the woman who was struck with leprosy and whose role was diminished by the tradition. The chapter is about the relationship between the siblings, and about the fact that the tradition has a case for saying that Miriam was more important than the final text admits.
The chapter belongs to the wilderness narrative in a way that is easy to miss. It is one of the places where the wilderness story turns from the external crises to the internal ones, from the mutiny of the camp to the dynamics of the leadership. The chapter is also one of the places where the tradition's treatment of women is visible, and where that treatment is at once evident and ambiguous.
The first thing the chapter should do is to re-establish Miriam's presence in the story before the challenge of Numbers 12. The challenge has the effect of making her look smaller, and the chapter should resist that effect by reminding the reader of what she was before the challenge and what the tradition itself preserved.
Miriam is called a prophetess in Exodus 15. She is the one who takes the tambourine and leads the women in the song after the crossing of the sea. The song she sings is given in a fragment, and the fragment is one of the oldest texts in the Hebrew Bible, older than much of the narrative that surrounds it. The song is a victory song, and it is given to her as the leader of the women, and the tradition remembers her as a prophetess.
The song itself is short, and it is worth quoting. "Sing to the LORD, for he has triumphed gloriously; the horse and his rider he has thrown into the sea." The song is a duplicate of the opening of the Song of the Sea in Exodus 15, and the duplication is itself a sign that the tradition held more than one version of the victory song, and that Miriam's version circulated. The presence of the song in her mouth is one of the clearest signs that she was a figure of real importance in the early tradition.
The fact that she is called a prophetess is also important. The word is used of few women in the Hebrew Bible, and it is used of her in a way that marks her as a figure of revelation and leadership. The prophetess is not just a singer. She is a woman through whom God speaks, and she is a woman whose role in the story is not merely to follow.
The chapter should also bring in the evidence from the early tradition that Miriam was a leader in her own right. The traditions that make her the sister of Moses and Aaron place her in the family of the leaders, and the traditions that remember her song place her at the heart of the liberation story. The tradition has preserved the fact that she was a prophetess and a singer and a leader, and the fact that it has preserved that is itself evidence that she was important.
The second part of the chapter is the challenge in Numbers 12, and the way it exposes the dynamic between Miriam, Aaron, and Moses. The challenge is set out with a detail that is both clarifying and troubling: Miriam and Aaron speak against Moses because of the Cushite woman he has married, and they say, "Has the LORD indeed spoken only through Moses? Has he not spoken also through us?" The verse makes it clear that the challenge is about the authority of Moses, and that the Cushite woman is a pretext or a secondary issue.
The chapter should note the ambiguity of the Cushite woman. Whether she is Zipporah, the Midianite wife, or a second wife, is a question the tradition has not settled, and the chapter should not pretend to settle it. The point of the verse is that the challenge to Moses' authority comes through a complaint about his marriage, and that the complaint is a way of saying that Moses has no special authority over his siblings.
The response of the LORD is the next movement, and it is one of the most revealing things in the chapter. The LORD calls the three of them to the tent of meeting, and the LORD appears in the pillar of cloud, and the LORD says that in the whole earth Moses is the one with whom the LORD speaks mouth to mouth, clearly and not in dark speeches, and that with him the LORD makes no comparison. The LORD then asks the rhetorical question: "If there is a prophet among you, I the LORD make myself known to him in a vision, and I speak with him in a dream. But with Moses it is different — mouth to mouth, clearly, and not in dark speeches."
The response is a defense of Moses, but it is also a statement of the hierarchy of revelation. The LORD has spoken through prophets, and the LORD has spoken through Aaron, and the LORD has spoken through Miriam, but Moses is in a different category. The distinction is real, and it is the justification for the punishment that follows.
The punishment falls on Miriam. She is struck with leprosy, and her flesh is like snow, and Aaron sees her and pleads with Moses. The fact that Miriam is the one punished and not Aaron is one of the questions the chapter should ask, and the fact is not obvious. Aaron and Miriam together made the challenge, and only Miriam is struck. The tradition has given different reasons for this — that she was the one who initiated the challenge, that she was the more vulnerable of the two, that the punishment falls on the woman because the story is about the demotion of a woman prophet — and the chapter should present the question without pretending to answer it.
The third part of the chapter is the treatment of Aaron, and the way the tradition has kept him in place despite the calf. The chapter should note that Aaron is the priest, the brother, and the man who made the calf, and that the tradition has not removed him from office because of the calf. The explanation for this is that the tradition does not work by the simple logic of removing the sinner from office. The tradition has other ways of dealing with failure, and the way it deals with Aaron is one of those.
The explanation should also note that Aaron is the brother of Moses and the one who was with Moses from the beginning, and that the tradition has a reason for keeping him in place. The reason is not that the calf was not a failure. The reason is that the failure is not disqualifying in the logic of the story, and that the story has a larger structure in which the leader and the priest can fail and still be kept in place.
The chapter should also say something about the relationship between the brothers, and about the fact that the relationship is complicated by the failure of the calf and by the challenge of Numbers 12. The relationship is not a simple one. Aaron is the brother and the priest and the one who failed, and Miriam is the sister and the prophetess and the one who was punished, and Moses is the brother and the leader and the one who is defended. The three stand in a relationship that is both family and office, and the tradition has kept the family and the office together.
The chapter is, then, about Miriam the prophetess, the challenge in Numbers 12, the punishment of Miriam, the treatment of Aaron, and the relationship between the siblings. The chapter is about the fact that Miriam was more important than the final text admits, and about the fact that the tradition demoted her, and about the fact that the demotion is visible and not invisible.
The case for Miriam's importance is a strong one, and the chapter should make it without overstating it. The evidence is in the song, in the title of prophetess, in the presence of the tradition's memory of her leadership. The evidence is not in doubt. The question is the meaning of the demotion, and the chapter should make the case that the demotion is a sign of the tradition's treatment of women prophets, and a sign of the way the tradition has reduced the role of a woman who was, in the earliest recoverable form of the story, a leader.
The chapter should also say something about the way the tradition has treated Aaron, and about the fact that Aaron has been kept in place despite the failure. The contrast between the treatment of Miriam and the treatment of Aaron is one of the things the chapter is for, and the contrast is visible and not invisible.
The Generation That Had to Die
The forty years are the longest single fact in the wilderness story, and the chapter is about the reason for them and the way they are told. The years are the argument of the wilderness, and the argument is that a generation which walked out of Egypt cannot enter the land, and that the promise is inherited by a new generation, and that the journey itself is the formation of the people, and that the formation takes the time it takes.
The chapter belongs to the wilderness narrative in a way that is difficult to overstate. The years are the gap between the departure and the arrival, and the gap is the most important fact of the wilderness narrative. The chapter is about the gap, and about the way the biblical text fills the gap with the very little it gives us, and about the way the emptiness is intentional.
The episode of the spies in Numbers 13–14 is the moment where the forty years are fixed. The people send spies into the land, and the spies return, and the report is divided. Ten of the spies say that the land is good but the people are too strong, and the cities are fortified, and the land is one that devours its inhabitants. Two of the spies, Joshua and Caleb, say that the land is good and that the people should go up and take it. The people refuse, and they say that they would rather go back to Egypt, and they say that they would rather die in the wilderness.
The refusal is the moment of the decision, and the decision is the moment where the forty years are fixed. The LORD says that the people who have seen the signs and the wonders and the exodus and the sea and the law and the manna will not enter the land. The generation that walked out of Egypt will die in the wilderness. The children will enter the land after forty years, one year for each day the spies were in the land.
The forty years is a narrative solution, and it is also a theological argument. As a narrative solution, it is the gap between the departure and the arrival, the gap that the story fills with the formation of the law and the people. As a theological argument, it is the claim that the promise is inherited by a new generation, and that the generation that walked out of Egypt is not the generation that will inherit the promise. The argument is one of the most important things about the wilderness story, and it is one of the things that makes the story honest.
The argument is that the people are not ready for the land at the moment they walk out of Egypt, and that the readiness takes the time it takes. The story does not pretend that the people are ready. It says that they are not, and that they must learn, and that the learning takes forty years, and that the generation that walked out of Egypt will not enter the land. The claim is severe, and it is the claim that gives the wilderness its shape.
The chapter should also say something about the emptiness of the wilderness narrative, and the way the biblical text gives us very little for the thirty-eight years. The text gives us the spies, and the plague of the people, and the rebellion of Korah, and the complaint about the manna, and the story of the water, and the stories of the journeys. But the years themselves are mostly empty, and the emptiness is intentional.
The emptiness is the argument. The story does not fill the years with events because the years are not the events. The years are the formation, and the formation is not summed up in a list of events. The formation is summed up in the law, in the tabernacle, in the priesthood, in the people, in the fact that the people are still there at the end. The emptiness is the sign that the years are the formation, and the formation is not a sequence of events but a process of being formed.
The chapter should not pretend that the emptiness is a failure of the text. The emptiness is a feature of the text, and the feature is the argument. The story is telling us that the wilderness is not a series of moments but a duration, and that the duration is the thing that makes the people. The argument is one of the most honest things about the wilderness story, and it is one of the things that makes the story worth reading.
The chapter should also say something about the inheritance of the promise, and the way the promise is passed from one generation to the next. The promise is given to Abraham, and it is given to Isaac, and it is given to Jacob, and it is given to the children of Israel. The promise is not a thing that is inherited by blood in the simple sense. It is a thing that is inherited by the people, and the people are formed over the years, and the promise is inherited by the children who enter the land.
The inheritance of the promise is one of the most important arguments of the story, and it is one of the things that makes the wilderness story a story about formation rather than movement. The movement is from Egypt to Sinai to the wilderness to the land, but the formation is the thing that the movement is for. The people are formed in the wilderness, and the promise is inherited by the people who are formed, and the formation takes the time it takes.
The chapter should be fair to the idea that the forty years is a narrative solution, and to the idea that the forty years is a theological argument, and to the idea that the forty years is both. The dual nature of the years is one of the things that makes the story worth reading, and the dual nature is the argument.
The Rock
The striking of the rock at Meribah is the one disqualifying failure of Moses, and the chapter is about the failure, the punishment, and the ambiguity of the failure. The chapter is also about the fact that the tradition punishes its own hero, and that the punishment is one of the things that keeps the portrait of Moses from being a flatterer.
The chapter belongs to the wilderness narrative in a way that is easy to miss. It is the moment where the leader who has carried the people through all the failures and the complaints and the mutinies is himself the object of the judgment, and the judgment is not death but exclusion from the land. The judgment is severe, and it is severe in a way that is disproportionate to the failure, and that disproportion is the point.
The episode is set out in Numbers 20. The people are in the wilderness of Zin, and the people gather against Moses and Aaron, and they say, "If only we had died when our brothers died before the LORD! Why have you brought the assembly of the LORD into this wilderness, for us and our livestock to die here? And why have you made us come up from Egypt? Is it a small thing that you have brought us up out of a land flowing with milk and honey, to bring us into this desolate place, where there is no grain or figs or vines or pomegranates? And there is no water to drink." The complaint is the same complaint as before, and the complaint is bitter and specific.
Moses and Aaron go to the entrance of the tent of meeting, and the LORD appears in the pillar of cloud. The LORD says to Moses, "Take the rod, and assemble the congregation, and speak to the rock before their eyes, and it shall yield its water." The instruction is specific. Moses is to speak to the rock.
Moses and Aaron assemble the congregation before the rock, and Moses says to them, "Hear now, you rebels; must we bring water for you out of this rock?" And Moses raises his hand and strikes the rock twice with his rod. And water comes out abundantly, and the congregation and their livestock drink.
The water comes. The people are satisfied. But the LORD says to Moses and Aaron, "Because you did not believe in me, to show my holiness before the eyes of the congregation, you shall not bring this congregation into the land that I have given them." The judgment is given, and it is given in the form of exclusion. Moses and Aaron will not enter the land.
The chapter is about the failure, and the failure is that Moses struck the rock instead of speaking to it. The instruction was to speak. Moses struck. The failure is small, and the punishment is large, and the disproportion is the point. The chapter should not pretend that the failure is large. It is small. The chapter should not pretend that the punishment is small. It is large. The chapter should live with the disproportion.
The chapter should also say something about the ambiguity of the failure. Why did Moses strike? Was he angry? Did he misread the instruction? Did he feel that the glory was being taken from him when he said, "Must we bring water for you out of this rock?" The chapter should not resolve the ambiguity. It should live with it. The ambiguity is the fact of the failure, and the fact is that Moses failed, and that the failure was his own, and that the punishment was his own.
The chapter should also say something about the fact that Aaron is punished alongside Moses, even though the failure is Moses' alone. The judgment is given to both, and the punishment is borne by both, and the fact that Aaron is punished is one of the things the chapter should note. The fact that Aaron is punished is not accidental. It is part of the logic of the story, and the logic is that the leader and the priest are bound together, and that the failure of the leader is the failure of the leadership, and that the leadership includes the priest.
The chapter should also say something about the fact that the failure is the one disqualifying failure of Moses, and that the disqualification is not death but exclusion from the land. Moses will die on the mountain, and he will see the land, and he will not enter it. The exclusion is the punishment, and the punishment is the thing that keeps the portrait of Moses from being a flatterer. The portrait is of a man who is magnificent and flawed, and the flaw is the thing that keeps the portrait from being flat. The flaw is the one disqualifying failure, and the failure is the fact that Moses struck the rock instead of speaking to it, and the punishment is the exclusion from the land.
The chapter is, then, about the failure, the punishment, and the ambiguity. The chapter is about the fact that the tradition punishes its own hero, and that the punishment is severe, and that the failure is small. The chapter is about the fact that the portrait of Moses is honest, and that the honesty is in the failure, and that the failure is the thing that keeps the portrait from being a flatterer.
The chapter is also about the fact that the failure is Moses' alone, and that Aaron is punished alongside him, and that the punishment is exclusion from the land, and that the exclusion is the thing that the story has been building toward since the mountain, and that the story is honest about the fact that the leader who has carried the people through the wilderness will not enter the land.